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Deftones' Sergio Vega On Working As A String Section
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When a catastrophic car accident in 2008 put Deftones bassist Chi Cheng in a coma, the future looked grim for Chi and the band.
With Cheng now making slow and steady progress in recovery, Deftones has
enlisted the help of longtime friend Sergio Vega. The band’s latest, Diamond
Eyes, is a focused affair that perfectly pairs piercing riffs with sprawling melodies,
all expertly anchored by a very tone-savvy Vega. This fall, the band is set to
slay stages on a monster tour with Alice in Chains and Mastodon. How did you first get to know the guys in the band?
We met on the first Warped Tour in 1995, when I was in a band called
Quicksand, and hit it off. Four years later, they called me because Chi hurt
his toe, and they needed someone to fill in.
Is Chi’s playing style very different from your own?
Not at all. When I came in, it wasn’t so much about his style of playing it was about learning his riffs.
Who is in your pool of influences?
I grew up in New York with a bit of
everything. I came up in the Bronx, so I
liked hip-hop. My family was from Puerto
Rico, so there was Latin music. I got into
hardcore bands like Cro-Mags, Bad Brains,
Antidote, and Sick of it All, and then punk,
reggae, dancehall, and house music. I
always thought that wide range was unique
to New York, but all the Deftones guys had
the same thing going on in Sacramento.
Stephen Carpenter plays low-tuned 8-
string guitars that dip into the bass range.
How does that impact your playing?
Stephen was right when he credited
himself as “strings” on this record. Basically
we don’t work as bass and guitar—it’s
more like we’re a string section. That’s
how I’ve started thinking of it, because
we’re occupying much of the same frequency
range.
What’s behind your use of drop C and
drop C# tunings?
I came into the band thinking I was
going to learn everything in a single tuning—
I wasn’t hip to the differences. When
I went out to Sacramento and was jamming
on Chi’s basses, I quickly realized
the differences between those two. Drop
C sounds darker, and the different tension
can give the same riff entirely
different characteristics.
What led you to start recording and
touring using Native Instruments Guitar
Rig 3 software?
I’m really into bands that incorporate
oscillation and atmospheric sounds—like
My Bloody Valentine—and I like having
those sounds be components in my compositions.
I really don’t care about amps
anymore; I live in lower Manhattan and
have no room. With Guitar Rig, I can jam
in my bedroom on the same rig I used to
make this record—it’s sick! What drew you to play Jaguar Basses?
They look cool and sound hot—so
now I have 15 of them! They just work
well with my approach and attack. They
have a nice, crisp top end and the low
end feels tight. Plus, they’re easy to play.
Finally, what’s the latest on Chi’s condition?
He’s still in a semi-conscious state, but
he’s making slow and steady progress.
They’re putting the best stuff into him—he’s
not drinking or anything—so he looks fantastic.
His family is being very proactive
trying to stimulate his awakening. We’re
just praying for him and putting our best
foot forward so there’s something awesome
for him to come back to.
HEAR HIM ON
Deftones, Diamond Eyes
[Warner Bros., 2010]
GEAR
Basses Fender Jaguar Basses tuned
CGCF and C#G#C#F#
Rig Ampeg SVT Classic Reissue
Effects Native Instruments Guitar
Rig 3 software, Tech 21
SansAmp Bass Driver DI
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