THE CALL COMES IN AT
the last minute—they need
you to cover a weekend
fly-date out of town. You’re
available, and you have the
music already learned, but are
you ready? Where you’re going there
are no guitar techs, or music stores to pick
up last-minute forgotten items. Do I really
need to remind you to bring extra strings?
I hope not. But beyond the obvious, there
are several small items that will come in
handy, and quite possibly save your bacon.
You may need to make climate related
adjustments to your
axe, so bring the proper Allen
wrenches, screwdrivers, etc.,
that you’ll need to work with the
bridge saddles, trussrod, intonation screws,
pickups, and other moving parts. A handy
multi-tool like the Cruz Tools GTMLT1 or
Farley’s Deluxe Guitar tool will handle a lot
of situations—just make sure the wrenches
are the right size for your instrument.
Sure, you’ve got extra strings, but what
if you actually have to change one on the
gig? If you need to clip the length of a string,
you may find wire cutters helpful. Ever try
getting past a TSA goon with wire cutters?
The Planet Waves Bass Pro-Winder String
Winder incorporates a non-threatening
cutter into its handle.
Don’t forget your tuner! Whether you
use a dedicated pedal like the TC Polytune,
a portable model like the Korg CA1,
or a clip-on like the Snark SN-8, make
sure you bring extra batteries—9-volt for a
pedal, AAA for the Korg, or a flat CR2032
for the Snark. If you have an active bass,
carrying extra batteries is crucial; for top
performance and longer life, check out the
Duracell ProCell.
Even if you run a wireless,
having an extra cable
handy makes sense—check out
the excellent yet affordable Planet
Waves American Stage cable, available in
lengths from 10 to 30 feet. Whether you’re
trying to find the on/off switch around the
back of an unfamiliar amp, or sight-reading
charts on a dark stage, light helps. The
compact and powerful Mighty Bright Triple
LED Music Light can be clipped onto things
like music stands, or it can stand alone on
its base.
A traveling player using rented backline
should have a “tone insurance policy”
just in case the provided gear doesn’t meet
your expectations. A bass-specific preamp/
DI pedal such as the MXR M-80 or Tech
21 Sans Amp Bass Driver DI will give you
familiar tone out of any rig (connect to
the effect-return jack to bypass the amp’s EQ) and give you a degree
of control over what you send to
the house system. Something more elaborate
like the EBS Micro Bass II also gives
you an effect loop and speaker simulation,
and it can also act as a headphone amp for
’shedding in your hotel room.
Of course, if you’re flying with your axe,
you will have to decide if it goes as luggage,
or as a carry-on. Trying to get your
bass onboard puts you at the mercy of the
flight staff, but it helps to present as small
a profile as possible at the gate. The iGig
G315 gig bag looks fairly svelte and non imposing,
has enough room for your stuff,
and is well padded in the event of having
to gate-check. If you’re sending the bass
into the belly of the beast, something like
SKB’s waterproof 3i-5014 series cases will
keep your baby floating in the event of an
unscheduled water landing.