SPIRITS WERE HIGH AT THIS YEAR’S
NAMM Show, as last year’s spark of economic
optimism seems to have encouraged some
new innovation in the bass world. Walking
the vast show floor over the course of several
days, we were able to get a sense of at least a
few low-end trends. Here’s what we spotted.
BASSES
There’s never a shortage of wild new bass
creations at NAMM, and with literally
hundreds of boutique basses carved from
exotic wood and stuffed with cutting-edge
electronics, this year was no exception.
The traditionalist crowd of those who pay
tribute to Leo Fender’s classic bass designs
were well represented, but there were a
few beyond-the-box basses that pushed the
envelope. From Brubaker’s hot-swappable
bass preamp to Fodera/Mike Pope’s sliding
pickup design and Ernie Ball’s Game
Changer pickup selector system, flexibility
seemed to be the name of the game in terms
of electronics innovation.
AMPS
The demand for lightweight, high-power
amplification is nothing new, and the
field of companies offering featherweight
heads—mostly with Class D switching power
supplies—continues to grow. Somewhat
paradoxically, there were also a handful of
manufacturers either reissuing or reinventing
the classic flip-top amp design made famous
by Jess Oliver with the Ampeg B-15, with
Ashdown’s Drophead combo looking to
challenge the Ampeg Heritage B-15 head-on.
(If you missed it, check out last month’s issue
for the full story behind the legendary B-15.)
EFFECTS
Innovation in the effects realm was equally
dynamic, with established companies such as
Ibanez, MXR, and Tech 21 expanding their
offerings, and newcomers Daring Audio and
Fishman (new to effects) entering the ring
swinging. Octave effects seemed especially
well represented.
NEXT UP
With Germany’s massive Musikmesse show
and Summer NAMM just around the corner,
2011 is sure to see more new products. You
can always read about it here in BP; for the
latest developments as they’re announced,
be sure to check bassplayer.com.
A 500-watt
Aguilar Tone
Hammer head
sits atop two
new CL 410
cabinets, which
feature Neodymium
drivers
and weigh
around 70
pounds apiece.
aguilaramp.com
A former design engineer at Marshall,
Steve Grindrod introduced a slew of his
new Albion amplifiers. albionamps.com
The Ashdown
Drophead 200
is the latest
entrant in the
all-tube, flip-top
combo game.
ashdownmusic.com
People were flipping over the new Ampeg
PF-500, a 500-watt head that folds over
to fit into the new PF-210HE and PF-115HE
cabinets. A 350-watt version of the head is
also available. ampeg.com
The Carvin BX Micro Bass is an absurdly
light head with all the bells and
whistles a gigging bassist could want.
carvinguitars.com
This wild Brubaker Brute
sounded as stunning as it
looked. brubakerguitars.com
The new EXP
Reds from
D’Addario
combine a copper/
steel wrap
with the company’s
popular
EXP coating.
daddario.com
The Danelectro
Wild Thing ups
Dano’s already
considerable
cool factor.
danelectro.com
Daring Audio had a bunch of their
brand spanking new pedals on display.
daringaudio.com
DBZ Guitars, a new venture by Dean Guitars founder Dean Zelinsky, showed off this
hot little number, the Imperial FM Bass 4. dbzguitars.com
The EBS booth featured the company’s
new ClassicLine 110 and 112 Mini Cabinets.
bass.se
Epifani had three new heads on display—
the UL 501, the Epifunky 300,
and this Piccolo 600, a Class A/B head
that weighs 4.5 pounds and pumps 600
watts through 4Ω. epifani.com
Ernie Ball was
proud to debut
their Game
Changer, an innovative
new pickup
switching system
that allows players
to access a staggering
250,000
pickup confi gurations.
Heavy, man!
ernieball.com
Fretless master Alain Caron was on
hand to demo his updated signature
basses from F Bass. fbass.com
Fender’s ’60s
Anniversary
Precision Bass
is like a mashup
of all the
greatest eras in
P-Bass design.
fender.com
The Fender Rumble 350 head has magnetic feet to keep it in place atop a rumbling cabinet. Killer! fender.com
The new Fishman Fission Bass Powerchord
FX is loaded with out-of-thisworld
effects. fishman.com
Fodera unveiled the Yin Yang Standard, a
more affordable iteration of Victor Wooten’s
famous bass. foderaguitars.com
The Hartke Kilo is one mean machine,
with 1000 watts of power (mono) and
extensive EQ controls. samsontech.com
Ibanez had lots of new
bass goodies, from its
Grooveline basses to
its new TS9B Bass Tube
Screamer. ibanez.com

Genz Benz
bolstered its
line of highpowered,
lightweight
heads with the
STM-900 (left)
and STM-600.
genzbenz.com
Lakland brought a few of its new Precision-
inspired models. lakland.com
Mike Lull shows off his latest creation,
the TPT4 Tom Petersson Signature.
mikelull.com
Marleaux displayed an array of fine 4-, 5-,
and 6-strings. marleaux-bass.de
Markbass weighed in with its new 500-watt
TTE 500, which features a tube preamp and
compressor and the company’s Tube Technology
Emulator power amp. markbass.it
This pocket-sized Bass Compressor is
the latest from MXR Bass Innovations.
jimdunlop.com
With its isobaric cabinet design, the Terror
Bass combo is a tasty new treat from
Orange Amplifiers. orangeamps.com
Costing roughly $0.50 per watt, the
600-watt Peavey Headliner threatens to
take center stage in the featherweight
amp arena. peavey.com
Reverend Guitars has returned with a righteous line of new basses. reverendguitars.com
Roland’s Bass Cube amplifiers pack huge
sound into itty-bitty boxes. roland.com
Stuart Spector and Down’s Rex Brown
show off Rex’s new signature Spector
RXT Bass. spectorbass.com
If you dig TC Electronic’s RH heads but
want something in a bigger, badder box,
the Blacksmith is ready to rock your
socks off. tcelectronic.com
The Tech 21 Boost Chorus Bass is a
two-fer type of stompbox that can make
your head spin with its lush chorus effect—
if it isn’t ripping it clean off your
body. tech21nyc.com
The mighty Traynor YBA300 head—especially
through a TC412 cabinet—is bold
enough to strike fear to the heart of even
the stoutest stack. traynoramps.com
This Veillette Concorde (center) was just
one of the Woodstock, NY-based lutier’s
beautiful new creations. veilletteguitars.com
Warrior Instruments always brings a
few stunners to the NAMM show. This
year, the Isabella 5 (center) caught our
eye. warriorbass.com
Stu Hamm was on hand at Washburn
to demo his new signature electric, the
Hammer. washburn.com
The Warwick booth was awash with talented peeps plying their wares, including this
new range of BC combo amps. warwickbass.com