RIFFS

Beethoven’s Fifth Symphony (da-da-da-daaaa) and AC/DC’s “Back in Black” (da-danana-danana) may not appear to have much in common, but they both rely on killer riffs for a solid foundation. A simplified version of the riff equation goes something like this: If bass = foundation and foundation = riff, then bass = riff!

As beginners, we must respect the riff, as it’s usually our responsibility to play it over and over while soloists and singers get their rocks off. You could lament the lameness of this repetitiveness, or you could revel in the sheer potency of a riff well played. The latter will be a big step in your mastery of the bass’s unique mind-game.

Good technique is your best friend, but it’s important to know when to bend it to suit the riff. When your hand, body, mind, and spirit are jiving as one, your endurance and focus make for awesome riffage. Practicing riffs reveals the impact that subtle changes in physical attack can have on sound. Examples 1 and 2 show a short riff I came up with. Check out the tablature: Ex. 1’s fingering places everything in the same four-fret range, while Ex. 2 obligates a position shift. While Ex. 1’s fingering would be proper, Ex. 2 gets extra heft because of the shift. Play it, and you’ll see what I mean. Try messing with the fingering of riffs you know. Diving into the details usually uncovers a whole new layer of coolness.