Having spent a fair amount of ink perusing the early-’60s Motown/James Jamerson archives, I thought it would be interesting to take a look a...
Do you get mixed up when you play something not written in 4/4?
While I don’t remember the specifics of my first real recording session at a proper studio, I do remember how I felt.
This month i’ll retread the “great Moments” format as a brief break from exploring the vaults of Motown.
The D#dim triad in bar 2 connects the chords Dm and Em.
This column will not solve that problem, but I hope it will help. It’s intended to be eccentric; to explore the myriad issues that sometimes...
We return to our look at early Motown recordings with three relatively unknown tracks from 1961, “Mighty Good Lovin’” by the Miracles, “Don’...
Music continually surprises me.
Continuing our look at the early days of Tamla/Motown records, let’s examine what is widely considered to be the fledgling label’s first mon...
Slow ain’t easy. Most bass ists first learn to groove on medium tempos. Then, after their chops improve, they tackle fast bass lines and sol...
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