This month, we’re heading back to Miami for more fun in the sun and soul-shaking grooves.
Red Mitchell’s search for identity inspired him to create an immediately recognizable sound.
Studying the great American art form of R&B, I often find inspiration from traveling to different parts of the country and digging into the ...
Red Mitchell told me that jazz was a “search for your own identity.”
When examining 1950s R&B, you are never far from the border it shares with rock & roll.
Red Mitchell filled his world with acute observations about music, bass playing, politics, and poetry.
Once upon a time, rhythm & blues music was simply an extension of swing and boogie-woogie, offering no hint that one day the same term would...
Ray Brown (October 13, 1926–July 2, 2002) grooved his way through seven decades of jazz history.
This month we’ll examine another classic bass pattern from the early years of R&B—one that has no particular name, but is perhaps best recog...
Listening to Ray Brown play the blues is like having the plain truth explained in a profound way.
Chain of 145 Guitar Effect Pedals May Be a World Record | VIDEO
Steve Vai Premieres “Never Forever” from His “Lost” Album, ‘Modern Primitive’
D’Angelico Unveils One-of-a-Kind Dead & Company Guitars | GALLERY
Rob Thomas and VNTANA Create the First Hologram Karaoke Experience
DigiTech Releases Nautila Effect Pedal
Casio to Showcase Portfolio of Digital Pianos at Summer NAMM
Muhal Richard Abrams: Jazz Innovator, Founder Of The A. A.C. M.
Propellerhead Releases Reason 9 Music Production Software
Report from GearFest 2016
TK Smith’s Custom Smith Special Evokes Style, Tone and Mojo of Vintage Guitars
Is This Nirvana? Newly Discovered Tracks Said to Be from 1993 Session
EVH Announces 5150IIIS EL34 Head/Cabinet, Adds Wolfgang Special Models
New Issue Preview: Revolver June/July 2016
Video: It Lies Within Tour Documentary, Part 1
Gojira Premiere New Song and Music Video, “Silvera”
History of the Blues in 50 Guitar Riffs
Expand Your Melodic Colors with 9th Arpeggios
John Entwistle's Isolated Bass Track from The Who's "Won't Get Fooled Again" at Shepperton Studios
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