Bass Player Live! Rumble on Sunset Strip

IT BEGAN THE WAY ANY GREAT concert should, fashionably delayed, with a long line of eager attendees snaking around the circumference of the Key Club on Sunset Blvd; it ran the gamut from tears to cheers, with some surprises tossed in; and by the end it ranked as perhaps the most memorable of the fi ve Bass Player LIVE! concerts held thus far in Los Angeles.

IT BEGAN THE WAY ANY GREAT concert should, fashionably delayed, with a long line of eager attendees snaking around the circumference of the Key Club on Sunset Blvd; it ran the gamut from tears to cheers, with some surprises tossed in; and by the end it ranked as perhaps the most memorable of the five BASS PLAYER LIVE! concerts held thus far in Los Angeles. The annual Bass Player LIVE! All- Star concert on October 20 launched with the presentation of Aston “Family Man” Barrett’s Lifetime Achievement Award by fellow Jamaican bassist Phil Chen and BP Editor Brian Fox. Barrett noted, “This is the first award I have ever received in America, and it’s such a great honor because it means the message of reggae music from Jamaica is reaching all the people of the world.” Chen, serving as musical director on guitar, then led vocalist/ guitarist Eric Walsh, drummer Oliver mesmerizing run of five Bob Marley classics chosen for their super-sub-hook Barrett bass lines, including “I Shot the Sheriff ,” “Stir It Up,” and “Could You Be Loved.”

Robert Trujillo and the Pastorius family brought Jaco's famed "Bass of Doom" for attendees to check out.

Eric Walsh, Phil Chen, and Aston "Family Man" Barrett blaze through a set of Bob Marley tunes.

Robert Trujillo digs into the Bass of Doom.

Phil Chen and BP Editor Brian Fox present a Lifetime Achievement Award to Aston "Family Man" Barrett.

Julius Pastorius, Hadrian Feraud, and Steve Bailey trade looks and licks.

Rock legend and Yes founder Chris Squire next received his Lifetime Achievement Award from a group that included bassist Stu Hamm and Brian Fox. In his acceptance speech, a grateful Squire acknowledged his influence, John Entwistle, offering to lead the way in soon honoring the late Who bassist with a posthumous Lifetime award. Chris then guided his ultra-tight sextet (vocalist Jon Davison, guitarist Johnny Bruhns, keyboardists Matt Brown and Claudio Pesavento, and special guest, Foo Fighters’ drummer Taylor Hawkins, who really turned heads with his powerful prog-rock stroke) through two songs from his 1975 cult classic solo side, Fish out of Water, as well as Yes smash hits “I See All Good People,” “Owner of a Lonely Heart,” and most rousingly, “Roundabout.” Meanwhile, the green room beneath the stage again became the prime location for once-in-a-lifetime gatherings of top bassists and unexpected vistors. This year, the elite list included bassist Henrik Linder and his Dirty Loops band mates, on a break from preparing for their November Asian tour with David Foster.

The final and perhaps most moving segment was centered on a Posthumous Lifetime Achievement Award honoring the late great Jaco Pastorius. Metallica bassist Robert Trujillo, whose purchase of the litigated Bass of Doom and funding of the upcoming Jaco documentary brought a great sense of relief and peace of mind to the Pastorius family, took the stage with Jaco’s son, Johnny Pastorius, to introduce a specially prepared 7-minute preview clip of Jaco [release date still unknown]. With emotions running high from the potent preview, Steve Bailey, Lee Sklar, Phil Chen, and Verdine White each offered some reverent words. Brian Fox then presented the award to Johnny, Mary, and Julius Pastorius. That provided a perfect segue to the annual all-star jam, with Julius jumping behind the drums, Trujillo strapping on the Bass of Doom (having earlier allowed guest bassists in the green room to try out the holy grail of groove machines), and Steve Bailey assuming his jam musical director role and counting off “The Chicken,” in tribute to Jaco. Steve, Robert, White, Brian Bromberg, Hadrien Feraud, Bakithi Kumalo, Bunny Brunel, and Damian Erskine each paid homage via fingers and from the heart.

The second and final jam tune, “Going Down,” was a nod to the numerous bassists lost in 2012, in particular, two ’60s session giants: Duck Dunn (who played on the Freddie King original) and Bob Babbitt. Bailey, with John Ferraro manning the drums, welcomed a broad range of basso talent, including Chen, “Ready” Freddie Washington, Gary Grainger, Quintin Berry, Igor Saavedra, and Bernhard Lackner. A postconcert party at the famed Rainbow Bar & Grill next door with the Squire and Pastorius entourages seemed fitting, given the rich rock bass history of the club, noted for regulars like Squire, Entwistle, Bruce, Jones, and Lemmy. At 3 am, all that was left for the bleary-eyed remaining was to wonder what next year’s concert would bring.

Brian Bromberg’s Bass on the Broadband broadcast live from its spot on the exhibit fl oor.

Alleva-Coppolo stacked its tabletop with a trippy paisley-finish J-style 5-string, and showed southpaws some love with a natural-finish lefty 5-string.

Flip out! Attendees and artists alike checked out Ampeg’s PF series heads and cabs alongside its Heritage series B-15.

Tech 21’s new VT Bass 1969 head and Bass Boost pedals combined to form one of the show’s more righteous rigs.

Artist Works demo’d its new Bass Campus, which features instructors Nathan East and John Patitucci.

Yamaha’s venerable BB and RXB series of basses are old-school cool; its re-vamped Silent Bass is one of its most exciting

Blast Cult doghouses were in the house—along with the company’s new Thirty 2 32"-scale electric basses.

Like a moth to…. Flame-top Spector NS-2 and Coda basses were among the most fetching basses at BPL.

Bass Strings Online showed off some of its enviable inventory.

Benavente brought six beautiful basses for us all to drool over.

The folks at Diffusion Audio demo’d their killer Sandberg basses through the powerful Two Notes Audio Engineering Torpedo C.A.B. speaker simulator.

Berklee College of Music handed out literature about its various courses of study while Bass Department chair Steve Bailey hopped from clinic to clinic.

The Carvin booth in a rare moment of calm; it would later host a heavy jam on Patrice Rushen’s “Forget Me Nots” with Freddie Washington and Sekou Bunch.

Rotosound showed the strings that make them the choice of bass gods like Chris Squire and Steve Harris.

Pretty in Pink: DR Strings Neons always brighten the vibe.

In addition to its innovative TonePrint pedals, TC Electronic displayed its new flyweight BH250 head.

Aguilar brought a wide range of amps, cabs, and pedals, including its Tone Hammer 500, Tone Hammer 350, and DB 751 heads.

Dean Markley showed off the next generation of cryogenics with its new Helix bass strings.

Elixir Strings showed off its newly re-engineered coated bass strings.

Speaker tweakers of all shapes and sizes dug on Schroeder’s array of cabinets.

Seymour Duncan was giving away Steve Harris and Jaco Pastorius model pickups from its Custom Shop.

Darryl Anders (right) and the Dunlop crew displayed their strings and their award-winning line of MXR Bass Innovations

Fodera brought its entire line of Standard basses, and announced the latest addition to the series, the Monarch 4 Standard.

An array of Epifani rigs pumped out non-stop jams from the likes of Andrew Gouche and Robert “Bubby” Lewis.

A limited editon Silverburst Jack Casady model was one of several sweet Epiphone axes on display.

A host of heavy hitters hung out at the Hartke booth, including (L–R) Phil Buckman, David Ellefson, Stuart Hamm, Frank Bello, Joe Vera, and Pancho Tomaselli.

Leland Sklar was just one of hundreds of brother pluckers to check out Kala’s various U-Basses.

From Artcore semi-hollows to Grooveline solidbodies, Ibanez had all its basses covered.

Hadrien Feraud and “Bubby” Lewis were just a few of the dudes to throw down at the Michael Tobias Design booth.

Paul Reed Smith Guitars was in the house with a pair of gorgeous Gary Grangier signature basses.

The Los Angeles Music Academy table lies in wait while Bass Department Chair Jerry Watts blows through tunes in his clinic with the John Daversa Big Band.

Wood goodness! Ken Smith Basses brought a few of their choice 5- and 6-strings.

La Bella may be best known for strings, but its new Olinto bass—modeled after an early-’60s P-Bass—was a big hit at the show.

Steve Bailey—flanked by BP Lifetime Achievement Award winners Alphonso Johnson and Leland Sklar—hold court in the Warwick room, which hosted performances all weekend long.

Lemur Music brought the boom to the room with a number of exquisite upright basses.

In a building rocked to its foundation by low-end rumble, Chance Wilder Onody brought welcome upper-register melodies to the NS Designs booth.

Musicians Institute Bass Program Director Stuart Hamm played host to dozens of MI faculty and students, keeping the jams going all weekend long.


Bass Player LIVE! 2010 : Wrap Up

Where you aware that Bootsy Collins didn’t know what “the one” was the first time James Brown told him about it? Or that Alphonso Johnson bought one of the earliest Chapman Sticks from inventor Emmett Chapman without asking him how it was played? These and many other insides and insights came to light at a very memorable and revealing Bass Player LIVE! 2010, marking the event’s third consecutive year in Los Angeles, October 23–24.

Bass Player LIVE! 2010 Wrap-Up

Where you aware that Bootsy Collins didn’t know what “the one” was the first time James Brown told him about it? Or that Alphonso Johnson bought one of the earliest Chapman Sticks from inventor Emmett Chapman without asking him how

Bassplayer Live : 2009 Overview

FOR THE SECOND CONSECUTIVE YEAR, SUNSET Boulevard in Los Angeles served as the stylish backdrop for BASS PLAYER LIVE!, on October 24 and 25. With the event scheduled seven days earlier than last year’s Halloween-weekend tilt, and with one of the most comprehensive lineups yet assembled, there was nary a hint of a sophomore jinx. In fact, BPL 2009 tallied its highest-ever number of exhibitors and attendees. The proceedings actually began on the evening of the 23rd at Musicians Institute in Hollywood, with a screening of Rambling Boy, the new documentary on the life of jazz legend Charlie Haden. Haden—who joined Tower Of Power groove god Francis “Rocco” Prestia as recipients of BP’s 2009 Lifetime Achievement Award—spoke afterward, along with filmmaker Reto Caduff.