Bob Babbitt, 1937–2012


Studio legend Bob Babbitt succumbed to complications from his long battle with brain cancer on July 17th, in a Nashville hospital; he was 74.

Babbitt may have started out in the shadows of James Jamerson at Motown, but he went on to have one of the most unique and durable careers among the first generation session bass icons, with indelible hitmaking contributions in three major recording markets (including appearances on more than 200 hit singles and over 25 Gold Records). Born on November 26, 1937, in Pittsburgh, Babbitt studied classical upright bass as a child and was soon captivated by R&B. After playing local joints, he switched to electric bass and moved to Detroit in 1961, finding club, road, and eventually studio work. He cut the Capitol’s “Cool Jerk,” and when Motown’s Berry Gordy bought Golden World Records, Babbitt began a role with the Funk Brothers that gradually increased as Jamerson battled his demons. Bob’s Motown highlights included Smokey Robinson’s “Tears of a Clown,” Stevie Wonder’s “Signed, Sealed, Delivered (I’m Yours),” Marvin Gaye’s “Mercy, Mercy Me (The Ecology)” and “Inner City Blues” [BP Feb. ’08], and Dennis Coffey’s instrumental hit, “Scorpio” [BP Sept. ’10], which featured a landmark, lengthy Babbitt solo.

When Motown moved to Los Angeles in the early-’70s, the big-toned, big-boned bassist headed to New York, working with Arif Mardin and other top producers for such artists as Bette Midler, Frank Sinatra, Barry Manilow, Diana Ross, Jim Croce, Gloria Gaynor, Frankie Valli, Alice Cooper, and Robert Palmer. He also made a regular trek down to Philadelphia International Records, where he recorded with Elton John and played on “Then Came You,” “Rubberband Man,” and other hits by the Spinners, for producer Thom Bell. Teamed most often in that period with another Motown refuge, drummer Andrew Smith, Babbitt cut what many feel is his finest track, Gladys Knight’s “Midnight Train to Georgia” [BP Nov. ’98]. When work slowed in the ’80s, Bob moved to Nashville in 1986, but could never quite crack the country-dominated session scene. Instead, he toured with Palmer, Brenda Lee, and Joan Baez. Allan Slutsky’s 1989 book, Standing in the Shadows of Motown, and especially his subsequent 2002 film documentary of the same name brought Babbitt long overdue notoriety, leading to several Grammy Awards and numerous tours with the Funk Brothers—most recently their participation in Phil Collins’ 2010 CD and DVD, Going Back. Just this past June, Bob received a star on Nashville’s Music City Walk of Fame. He is survived by his wife and their three children.


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Daisley recently completed the four-year task of writing For Facts Sake, his long-awaited autobiography, which should finally set the record straight with regard to who did what when.

Review: Robert Hurst "Bob: A Palindrome"

For his sixth CD, Robert Hurst, best-known for his work with Wynton and Branford Marsalis (including the Tonight Show), delivers a contender for contemporary jazz record of the year—made even more impressive given that the tracks were recorded in 2001, but not released, due to 9/11 and Hurst’s rapid rise to first-call sideman status in jazz.

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Help Support The Bob Cranshaw Care Fund

Bob is bravely battling stage 4 cancer that is aggressive and relentless. While his family is eternally grateful to The Jazz Foundation of America for their generosity and support, he and his family now need 24/7 care.