Released on the Bassist's new Mack Avenue Music Group Imprint Brother Mister Productions

Jawn [jän]: noun. A slang terminology from Philadelphia. All-purpose term for a person, place or thing.

Sure, Christian McBride could have called his new ensemble the Christian McBride Quartet or the Christian McBride Group, or any number of other, somewhat more straitlaced variations on that basic theme. But this new chordless quartet - with trumpeter Josh Evans, saxophonist Marcus Strickland, and drummer Nasheet Waits - arrives with a bit too much grit under its fingernails to warrant a name quite that buttoned up!

If there's one thing the acclaimed bassist knows, it's that when it comes to grit there's no better resource to draw from than his own hometown, Philadelphia. So, McBride turned to one of the city's most beloved colloquialisms to launch his latest project, Christian McBride's New Jawn. The release is available now via Brother Mister Productions, McBride's own newly launched imprint of his longtime record company, Mack Avenue Music Group

Call something a "jawn" in Philly, and everyone will know that whatever you're talking about has a certain hip cachet, a heavy dose of soul, and a generous helping of what in the City of Brotherly Love is known as "atty-tood." Christian McBride's New Jawn has all of that and more!

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CHRISTIAN MCBRIDE's Straightahead Masterwork

HE’S 37 YEARS OLD AND HAS WON A GRAMMY, BEEN COMPARED TO RAY BROWN on upright, toured with Chick Corea and John McLaughlin on electric, gotten first-call treatment from both hardcore jazzers (Freddie Hubbard, McCoy Tyner) and pop stars (Sting), arranged for orchestras, directed the National Jazz Museum in Harlem, obtained artist residencies at the Detroit and Monterey Jazz Festivals, and even conducted his own radio show about jazz and—wait for it—sports. But for Philly native Christian McBride, being referred to as one of the masters still evokes incredulity. “Are you kidding? I’m still the young phenom,” he says, chortling. “I can feel it now. I’ll be 70, and all those old jazz writers are gonna be going, Young Christian McBride, in his brief career . . . .”